The Real and the Imaginary

The work is to discuss the space between the real and the imaginary, the transaction between the projected house and the object. It is an interpretation of a space between the actual object and the idea of the space that the object carries with it.

Bits of the objects in the (manor) house (table lag, skirting board, etc. the REAL) are extracted, recomposed, and projected, forming the shadow house (the IMAGINARY). The drawing constructed as a series of pieces connected as stoppage, talks about the idea of reflected space. Every element of every piece discusses a memory or a trace of something in the system. They are made to move in a way to create these pieces and they are the pieces between the imaginary and the real. They are projecting pieces to create the idea on the wall of a series of architectural spaces which have been constructed by the shadows, projected from the movement of the systems.